So anyway...
Monday, July 03, 2023
Book Reviewlette: Indulgence in Death
My rating: 4 of 5 stars
Good paperback genre read. Character arcs essentially flat (because in a series?) but distinct and intriguing. The murder mystery plot and setting are both clever; futuristic and creative. I'll probably try another in the series for comparison and to see if it/main character gets old with repetition of quirks and plots.
(Four stars for what it is/genre. Not comparable to deeper reads.)
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Friday, March 31, 2023
My rating: 4 of 5 stars
Skye Moody (aka Kathy Kahn) originally published "Hillbilly Women" in 1974, then updated primarily the introduction and end note in 2014. The subject and form were a huge undertaking; all but the last chapter are written in the words of individual women living in Southern Appalachia whom Moody visited during her first decade of living and organizing there. Inevitably, there are some absences and some repetitions.
In fact, the author developed the project that became the book based on her own noticing of absence and repetition in the stories she heard. Traveling within the mountains, listening as women told their lives to the writer and activist, Moody
"...began making tape recordings of individuals' life stories with the intention of carrying them to their counterparts across the mountains and hollows. This was before the Internet and satellite television existed. I wanted them to know that they were not alone, and that their stories matched those of thousands of others not so far away struggling to survive under the same spiteful thumb of poverty, prejudice, and exploitation."
Moody shared this context in the book's endnote. I would have appreciated being more aware of this as I read through the stories from the beginning, and I would recommend reading the last couple of pages first.
In the final chapter, titled "Without Anger There Won't Be Any Change," Moody's voice concludes the book, necessarily apart from--and probably also necessarily after--featuring diverse yet entwined voices of Appalachian women from multiple generations, races, religions, relationships, and jobs.
"Every time I read over the stories of these women, I am filled with a sense of failure. I feel somehow I failed to capture their intensity and strength and the emotion with which they recall the cruel experiences of their lives...
I'll never forget the day Myra Watson got indoor plumbing in her house and the pride she felt because she had finally saved up enough money to have it installed. Why did she have to wait 64 years for indoor plumbing?"
Of course the stories include what Moody angrily identifies as "cruel experiences," influenced by natural and unnatural disasters such as business-and-government-made floods and jobless, deadly freezing in unheated homes. They also feature sly humor, pride, generosity, music, discernment, and everyday culture in food, family, and education.
I looked for a couple of years for a book or other document that would show the people, place, history, and social circumstances of this group of Americans who existed mainly in my world as caricatures in movies or figurative language and country song lyrics, with the occasional brief, out-of-date documentary treatment. "Hillbilly Women" is the best I have found, even in its own dated-ness.
Together, the stories, presented through a series of themes (sorrow, creativity, migration, motherhood and mills...) provided important American history that I hadn't learned in my privileged education. I had previously seen "Coal Miner's Daughter," "Norma Rae," and Barbara Kopple's 1976 "Harlan County, USA" documentary film (as well as having read that disingenuous, unfortunately successful more recent book with "Hillbilly" in the title). "Hillbilly Women" filled out some of my minimal knowledge of Appalachian unions, corporation towns, and Cincinnati's Over the Rhine neighborhood as Blue Ridge Mountain refugees told of hillbilly life in their "slum."
If you're interested in reading some stories and voices of mid-20th century Appalachian women, I can recommend this collection.
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Tuesday, February 28, 2023
All Boys Aren't Blue: Review
My rating: 3 of 5 stars
At the end of his memoir (acknowledgements?), George M. Johnson notes that he learned of the existence of YA memoirs just before writing his. I am -- as a reader nor a teacher -- not the target audience. Johnson's story is important and compelling as a queer Black young adult from a loving, expansive family and strong education.
Finding Me, Viola Davis: Audiobook Review
My rating: 5 of 5 stars
Absorbing (I listened in just three sittings), intense, surprising, stark, direct, and infallibly hope-full.
Two takeaways:
"What memory defines me?" (VD, via Will Smith)
"The question still echoes: How did I claw my way out? There is no out. Every painful memory, every mentor, every friend and foe served as a chisel, a leap-pad that has shaped ME. Me, the imperfect but blessed sculpture that is Viola."
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Wednesday, February 01, 2023
Impressions Review: The Sympathizer, by Viet Thanh Nguyen
⭐⭐⭐⭐⭐
The Sympathizer earns a careful review, but just now these are some are of my impressions.
▷ My experience of the (Pulitzer-prize-winning) novel about a Vietnamese refugee who left Saigon at its "fall" -- from Southern, U.S.-allied government to Northern, communist government in 1975 -- is inevitably influenced by my experience over the last 50 years. My experience began and continued as a (white, female) American born to white, Christian Bible translators in South Vietnam in 1972; my experience includes leaving Saigon as a toddler near its fall in 1975. The author was born the year between me and my older brother, and like my parents and three older siblings and I, left Vietnam in 1975. While reading (and listening to the final few chapters of) The Sympathizer, I felt both insider and outsider. The narrator of The Sympathizer is a counter-operative, biracial-bastard Vietnamese refugee to America.
▷ I read the novel over almost two years, in and out of states of being able to focus on reading books and states of not, stretched out through many two-week stints borrowing, then waiting my turn, then borrowing again from my local public library until I bought the audiobook to own and to finish what was pretty consistently clear as the best book I'd read in a few years.
▷ The five-star plot immaculately weaves together intricate and intense layers. When talking about the book with my mom the day after finishing, I was surprised to realize I could remember so many scenes and storylines vividly.
▷ Humor and horror. Gritty and (story-and-tone-relevant) philosophical. I found The Sympathizer to be, on balance, uncynical, in the best ways. From one wide angle, the story is about disillusionment, featuring a faithful friend and comrade whose loyalties are worked over like something presumably whole and valuable put through a meat grinder. One of those loyalties is to his sure sense of himself.
▷ In a January 2022 essay in the NYT about (not) banning books, Viet Nguyen wrote, "...loving books is really the point — not reading them to educate oneself or become more conscious or politically active (which can be extra benefits)." Of which I frequently need to be reminded, and sometimes convinced. I am especially persuaded in this case (and in the NYT essay) through Nguyen's association of "loving books" with expanding empathy through a novel's ability to make us care about a character (preferably a complicated one). The Sympathizer's evocation and generation of empathy happens in multiple ways throughout the book, perhaps as the narrator and the characters he describes live through both such quotidian and such traumatic, multiplied/divided lives. Writing about some books banned for their dangerous potential to expand empathy with characters some parents and activists fear (and some books that some of us have conflicting cognitive and complicated aesthetic responses to), Nguyen reminds us to:
"Read “Fahrenheit 451” because its gripping story will keep you up late, even if you have an early morning. Read “Beloved,” “The Adventures of Huckleberry Finn,” “Close Quarters” and “The Adventures of Tintin” because they are indelible, sometimes uncomfortable and always compelling. We should value that magnetic quality[... ;] books must be thrilling, addictive, thorny and dangerous."
Or, from The Sympathizer:
Art could be both popular, aimed for the masses, and yet advanced, raising its own aesthetic standard as well as the taste of the masses. We discussed how this could be done in Ngo’s garden with blustery teenage self-confidence, interrupted every now and again when Ngo’s mother served us a snack.I'm hoping to start (and finish!) the sequel, The Committed, in way less than two years, and am curious-confident about how I will experience it as insider-outsider, book-loving, disillusioned, non-cynical, fan.
https://www.nytimes.com/2022/01/29/opinion/culture/book-banning-viet-thanh-nguyen.html
Sunday, August 28, 2022
Tiny Book Review: The Groom Will Keep His Name: And Other Vows I've Made About Race, Resistance, and Romance by Matt Ortile
My rating: 4 of 5 stars
Peppy and pointed reflection on the experience of culture and colonization. It's like listening in on a friendly, sharp, post-college mono-chat about cultural theory meets lived experience, with a brief history of the Philippines and some 2010s hip blogging/writing connex. The author's reading absolutely adds value to my experience of the book.
(My review written from the perspective of a Gen X writer and cultural studies academic with some growing up years in the Philippines and a tug-of-war lens of cynicism-optimism.)
(Includes some explicit sex description, FYI.)
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Wednesday, March 04, 2020
Bourne Legacy: “I really have no idea what’s going on.”
Thursday, August 01, 2019
Freelance on a Couch: Stuff that works for me
Things I have learned are good to do in freelance writing and editing while working from home every day that I can mostly on a couch or comfy chair
HAVE A CAT
CONTEXT
- Researching and writing web copy for a commercial and/or non-profit client, typically of the start-up, information-economy type.This involves consistent, same-old assignments, week on week. I have worked with the same bread-and-butter client (mental healthcare-related) since 2017.
- Developmental editing, aka ghost-writing and/or story/writing coaching. This involves finding and collaborating with a client on their idea for a book, typically for six-ish months per project.
- Teaching "nontraditional" college students online through a huge university. This involves guiding and grading through an eight-week term, one or two liberal arts course sections at a time.
This is the first of an attempt to blog a few times in this, my birth month. Topic suggestions welcome!
Share stuffs that you have learned are good to do in your job: post a comment!